Currently studying in southern germany

Aching Sahid

Sit perched in the pocket at the peak of day. MIdday’s sun cast flat shadows like bullets and dimes. Lazy slowmotion maynas and mockers cart down on locked wings, running across the exposed red clay like tiny dinosaurs. This near a triple-lined barbed wire fence, across face of which half a post oak lies crumpling. Crushing weight. Tornado damage. Right here outside the shadespot. Whipped in gaping plowed alleyways through forest and residential alike in Eastern Tuscaloosa. Tuscaloosa latitude of Snow Hinton Park, the big urban roller.

Tells me I should write it down. The story this morning, the ramble really, that turned into explication of a dropped phrase, “lobster bobber.” She is becoming turned on, she laughs, reading the chapter on sexuality in D. Morris’ The Naked Ape. Not surprising, so did I. Encouraging, though. Naturlich.

Lobster bobbers are the old bobbing floaters attached by line to the trap itself resting testing on the seas bottom.  THe bottom of the sea. Out there in the night, luring massive aquatic crustaceans, hydropaulically powered waterbugs, to be retrieved later by the local fishermen who set said traps in first stance. Individuals in small personal boats of wood. Hunting lobster bobbers of hand-painted personal colors. Variations on band and stripe, groups and sets in contrasting bold colors, better to spot so.

Grackles grace the sultry flat midday light and alight, raucous and vocal in shadetree cover. Iridescence is most mesmerizing in smoky midday blaze. squirrels troll the remaining two arms of the previous postoak cluster, standing just opposite the fence. Near a young white oak, a middle-aged sugar maple. Sucklehoney vine covering and hiding hidden bramble bearing fruit, yet pink. Patience, a virtue.

Are you self-directed /or floating on the wind?/Self bearing and minding planned sight within,/ or never caring/ buddhist cultured /desires called as sins,/ the penitence, Remember when/ She turns and gives a glance/ from underfoot she’s lying happenchance cradled text in hand,/ reading bout the naked man and smiling at her chance/ to find the nature hard and actual relevance.

Practiced drums. Banged some drums real loud and fast and better and better in a room with Trevor. And David the French. Organ synth man. We’re getting time tense.


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